Had he been the plaintiff in an
action for criminal libel, greater industry in the collection and the
fabrication of personal details could hardly have been displayed.
But at these articles Hubert only glanced; he was interested in his piece,
not in himself, and when Annie brought up _The Modern Review_ he tore it
open, knowing he would find there criticism more fundamental, more
searching. But as he read, the expression of hope which his face wore
changed to one of pain pitiful to look upon. The article began with a
sketch of the general situation, and in a tone of commiseration, of
benevolent malice, the writer pointed out how inevitable it was that the
critics should have taken Mr. Price, when _Divorce_ was first produced, for
the new dramatic genius they were waiting for. 'There comes a moment,' said
this caustic writer, 'in the affairs of men when the new is not only
eagerly accepted, but when it is confounded with the original. Wearied by
the old stereotyped form of drama, the critics had been astonished by a
novelty of subject, more apparent than real, and by certain surface
qualities in the execution; they had hailed the work as being original both
in form and in matter, whereas all that was good in the play had been
borrowed from France and Scandinavia.
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