In
the droll complaint of the lover,
Perhaps it was right to dissemble your love,
But why did you kick me down-stairs?
the self-sparing charity of phrase that could stretch the meaning of the
word "dissemble" so as to make it cover so violent a process as kicking
downstairs has the true zest, the tang, of contradiction and surprise.
Hood, not content with such a play upon ideas, would bewitch the whole
sentence with plays upon words also. His fancy has the enchantment of
Huon's horn, and sets the gravest conceptions a-capering in a way that
makes us laugh in spite of ourselves.
Andrew Marvell's satire upon the Dutch is a capital instance of wit as
distinguished from fun. It rather exercises than tickles the mind, so
full is it of quaint fancy:
Holland, that scarce deserves the name of land,
As but the offscouring of the British sand,
And so much earth as was contributed
By English pilots when they heaved the lead,
Or what by ocean's slow alluvium fell
Of shipwrecked cockle and the muscle-shell;
This indigestful vomit of the sea
Fell to the Dutch by just propriety.
Glad, then, as miners who have found the ore
They, with mad labor, fished their land to shore,
And dived as desperately for each piece
Of earth as if 't had been of ambergreese
Collecting anxiously small loads of clay,
Less than what building swallows bear away,
Or than those pills which sordid beetles roll.
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