From Capri."
"Capillotomist," said Graham. "Ah! I remember. An artist! Why not?"
"We have to cultivate him," she said apologetically. "Our heads are in
his hands." She smiled.
Graham hesitated at the invited compliment, but his glance was
expressive. "Have the arts grown with the rest of civilised things?" he
said. "Who are your great painters?"
She looked at him doubtfully. Then laughed. "For a moment," she said, "I
thought you meant--" She laughed again. "You mean, of course, those good
men you used to think so much of because they could cover great spaces of
canvas with oil-colours? Great oblongs. And people used to put the things
in gilt frames and hang them up in rows in their square rooms. We haven't
any. People grew tired of that sort of thing."
"But what did you think I meant?"
She put a finger significantly on a cheek whose glow was above suspicion,
and smiled and looked very arch and pretty and inviting. "And here," and
she indicated her eyelid.
Graham had an adventurous moment. Then a grotesque memory of a picture he
had somewhere seen of Uncle Toby and the widow flashed across his mind.
An archaic shame came upon him. He became acutely aware that he was
visible to a great number of interested people. "I see," he remarked
inadequately. He turned awkwardly away from her fascinating facility. He
looked about him to meet a number of eyes that immediately occupied
themselves with other things.
Pages:
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182