But I am so far from
regarding the reverence for trees as of supreme importance for the
evolution of religion that I consider it to have been altogether
subordinate to other factors, and in particular to the fear of the
human dead, which, on the whole, I believe to have been probably the
most powerful force in the making of primitive religion. I hope that
after this explicit disclaimer I shall no longer be taxed with
embracing a system of mythology which I look upon not merely as
false but as preposterous and absurd. But I am too familiar with the
hydra of error to expect that by lopping off one of the monster's
heads I can prevent another, or even the same, from sprouting again.
I can only trust to the candour and intelligence of my readers to
rectify this serious misconception of my views by a comparison with
my own express declaration.
J. G. FRAZER.
1 BRICK COURT, TEMPLE, LONDON,
June 1922.
I. The King of the Wood
1. Diana and Virbius
WHO does not know Turner's picture of the Golden Bough? The scene,
suffused with the golden glow of imagination in which the divine
mind of Turner steeped and transfigured even the fairest natural
landscape, is a dream-like vision of the little woodland lake of
Nemi-- "Diana's Mirror," as it was called by the ancients.
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